Renovations & extensions
Renovations & extensions
- 1148–1188: Construction of the independent St. Andrew's Church as a parish church for the local population (collegiate church was reserved for nuns)
- 1450: Creation of the “large main land register” under Abbess Anna von Herberstorf to manage the property
- 1521/1522: Completion of the Gothic expansion under Abbess Margaretha von Mindorf
- 1618: Relaxation of the aristocratic admission restrictions - middle-class and peasant girls were also admitted as lay sisters
- 1782: The women's monastery was abolished by Emperor Joseph II as part of the Josephine monastery reforms
- 1783–1800: Church briefly became the cathedral of the newly founded diocese of Leoben; then incorporated into the Seckau diocese
- 1794: demolition of the old St. Andrew's Church; only the free-standing Andreasturm remains
- April 1797: Napoleon Bonaparte quarters himself in the abolished monastery; Treaty of Leoben signed on April 18, 1797
- 1860: Max Kober acquires parts of the monastery - the foundation stone of the Gösser brewery
- 1911: Sale of the “Gösser Regalia” to the Museum of Applied Arts (MAK) in Vienna
- 1450: Creation of the “large main land register” under Abbess Anna von Herberstorf to manage the property
- 1521/1522: Completion of the Gothic expansion under Abbess Margaretha von Mindorf
- 1618: Relaxation of the aristocratic admission restrictions - middle-class and peasant girls were also admitted as lay sisters
- 1782: The women's monastery was abolished by Emperor Joseph II as part of the Josephine monastery reforms
- 1783–1800: Church briefly became the cathedral of the newly founded diocese of Leoben; then incorporated into the Seckau diocese
- 1794: demolition of the old St. Andrew's Church; only the free-standing Andreasturm remains
- April 1797: Napoleon Bonaparte quarters himself in the abolished monastery; Treaty of Leoben signed on April 18, 1797
- 1860: Max Kober acquires parts of the monastery - the foundation stone of the Gösser brewery
- 1911: Sale of the “Gösser Regalia” to the Museum of Applied Arts (MAK) in Vienna