Renovations & extensions
Renovations & extensions
1226: First documented priest of St. Veit (handwriting in Rein Abbey); Starting point for the 800th anniversary 1226–2026
13th century / 1373: Presumably already a Romanesque church building; A rood screen was mentioned in a document in 1373
around 1617: Visitation protocol describes the Gothic church with rood screen, sacrament house and winged altar
1657–1662: New construction of the baroque church under Pastor Johann Baptist Abbt, consecrated in 1662; Builder probably Domenico Sciassia
1685: The existing high altar was donated by Prince Johann Seyfried von Eggenberg
1713: Tower helmet with lantern built by Bartholomäus Ebner and Johann Georg Flexner
1732: Bishop Jakob Ernst Graf Liechtenstein consecrates four altars
1786: Mary and cross altar are rebuilt by Veit Königer
1881/1882: New roof structure, facade renovation with Tuscan pilasters (design Ortwein); The church has a classicist appearance
1907: New organ by Matthäus Mauracher with a neo-baroque front
1972/1976: Exterior and interior renovation under Pastor Josef Kurzweil; Liturgical redesign with a new folk altar made of red marble
13th century / 1373: Presumably already a Romanesque church building; A rood screen was mentioned in a document in 1373
around 1617: Visitation protocol describes the Gothic church with rood screen, sacrament house and winged altar
1657–1662: New construction of the baroque church under Pastor Johann Baptist Abbt, consecrated in 1662; Builder probably Domenico Sciassia
1685: The existing high altar was donated by Prince Johann Seyfried von Eggenberg
1713: Tower helmet with lantern built by Bartholomäus Ebner and Johann Georg Flexner
1732: Bishop Jakob Ernst Graf Liechtenstein consecrates four altars
1786: Mary and cross altar are rebuilt by Veit Königer
1881/1882: New roof structure, facade renovation with Tuscan pilasters (design Ortwein); The church has a classicist appearance
1907: New organ by Matthäus Mauracher with a neo-baroque front
1972/1976: Exterior and interior renovation under Pastor Josef Kurzweil; Liturgical redesign with a new folk altar made of red marble